Compared to other f/1.4 prime lenses like the Sigma 50mm Art, the Nikon is cheaper and lighter at less than 10 ounces. | Filter Size: None. In addition, Zeiss has a number of premium manual focus primes like the Milvus 21mm f/2.8. If you want a really fast lens in an even smaller package than either of these, Nikon's 20mm f/1.8G AF-S is a unique ultra-speed ultrawide. For both types of photography, autofocus is reasonably fast in most circumstances, and low light performance is on par with other lenses of this type. | Aperture: f4. We also like the sturdy metal build, which adds weight to the lens but makes you feel like you will own it for many years to come (provided you take good care of it, of course). See the Nikon 50mm f/1.4G. It can be difficult to find compact and effective long-reach lenses. In addition, distortion is fairly heavy from wide angle throughout its zoom range. The good news for photographers is that all of Nikon’s new digital SLRs have a built-in distortion correction mode that helps offset the weaknesses of a lens. Category: Travel/portraitWeight: 31.8 oz.What we like: Cheaper and arguably a bit sharper at the center than the f/2.8E.What we don’t: No vibration reduction. While not all brands can be considered reliable, Sigma and Tamron have a long history of producing quality lenses–selling products equal or even better, than their Nikon counterparts. More, he is a true outdoorsman... Digital SLR cameras are among the best of the best: they have the largest sensors, the most megapixels, and the highest quality selection of lenses. Interestingly, Nikon has released an even less expensive wide-angle zoom in the 18-35mm f/3.5-5.6, which currently retails for around $750. The smaller size and weight better complements the 24mp camera bodies, and the optical performance is tuned just about right for those cameras, too. So if you went from an FX camera to a DX format DSLR, your full frame FX lenses will still work. In addition, the maximum aperture of f/5.6 limits your ability to shoot in low natural light. Nikon 2137 AF Nikkor 50 mm F/1.8 D FX Full Frame Prime Lens for Nikon DSLR Cameras. An old photography dichotomy is that professionals use prime lenses and amateurs use zoom lenses. | Aperture: f3.5–5.6 | Filter Size: 77mm. For professionals and discerning enthusiasts, the 14-24mm f/2.8 is Nikon’s top wide-angle zoom. For background, there has been much discussion over which Nikon 24-70mm f/2.8 version is best. Full-frame cameras are the best of the best: they have the largest sensors, the most megapixels, and lenses that are simply unmatched. With a silent wave internal motor, this lens provides a silent and accurate focus. The camera matters too, of course, and Nikon’s latest FX offerings like the D850 continue to raise the bar in terms of autofocus accuracy and tracking of moving subjects. Category: Wide angleWeight: 12.6 oz. But if you want a quality telephoto zoom for Nikon FX without breaking the bank, this is a nice option. Compared to other f/1.4 prime lenses like the Sigma 50mm Art, the Nikon is cheaper and lighter at less than 10 ounces. Wide-angle lenses have the most distortion of any type. In terms of optical performance, you get surprisingly fast autofocus (which can be an issue with inexpensive telephoto zooms) and great sharpness at an even lower weight than past versions. One downside though is that images can lose some sharpness at wider apertures. It’s an all-round lens, perfect for travel photography, landscape photography or even portrait photography–thanks to the flexibility of its focal range. | Aperture: f1.4. This is a common problem with super telephoto zooms: primes often are faster like the Nikon 400mm f/2.8E, but that lens runs more than $11,000 (no, that is not a misprint). For those who prioritize image quality over all else, it’s a must-have telephoto lens for FX.See the Nikon 70-200mm f/2.8E VR. | DX Equivalent: 36-105mm. That means you’ll find some nice budget lenses on this list like the 50mm f/1.8 and telephoto 70-300mm f/4.5-5.6 that make full-frame photography much more accessible. The 18-35mm is a fine choice for those on a budget, but we prefer the 16-35mm.See the Nikon 16-35mm f/4G VR. If you don’t need vibration reduction, the 24-70mm f/2.8G continues to be an excellent option. Weight: 290g. FX lenses are made for full frame SLR cameras. It’s as fast as Nikon’s lens, and you can even use it for astrophotography. At just over 5 pounds and 10.5 inches in length, the Nikon 200-500mm takes some serious getting used to for those making the jump. The short answer is yes: most DX lenses technically are compatible on FX cameras. And it’s worth noting that we’re seeing more and more third-party manufacturers designing well-built, functional alternatives to native lenses. In addition, the 16-35mm comes with vibration reduction, while the 14-24mm does not. Whether your focus is street photography, portraiture or food photography, the Nikon 28-300mm will focus precisely on what’s in your frame. However, at F/4 max aperture, its low light performance is limited. Nikon AF-S FX NIKKOR 200-500mm f/5.6E ED Vibration Reduction Zoom Lens with Auto Focus for Nikon DSLR Cameras 4.8 out of 5 stars 742 Nikon AF-S FX NIKKOR 24mm f/1.4G ED Wide-Angle Prime Lens for Nikon DSLR Cameras FX lenses on the light end of the spectrum weigh as little as 10 ounces for the 50mm f/1.8, and the 18-35mm zoom comes in a very respectable 13.6 ounces. Category: Travel/portraitWeight: 16 oz.What we like: Inexpensive, lightweight, and versatile.What we don’t: Soft and heavy on distortion. In the outdoor and travel industries, we’ve noticed a lot of professional photographers using zoom lenses, and particularly of the wide-angle and telephoto varieties. With four focus function buttons on the lens barrel, it is easy to control and enables you to freeze moving objects from a distance. It’s great for photographers looking for a multipurpose prime that will improve their creative output. Guaranteed by Wed, Nov 18. There are more tips, tricks, and secrets--all of which will help you take gorgeous photos. Category: Travel/portraitWeight: 9.9 oz.What we like: Excellent low light performance and creamy bokeh.What we don’t: Some barrel distortion, although it’s certainly not a deal breaker. If you have a need for speed, the Sigma 14-24mm hits that sought-after f/2.8 and is a nice value at around $1,200. With an autofocus system engineered for close-up photography and an image stabilization feature that limits the risk of blur, you can expect superb sharpness and beautiful bokeh. | Aperture: f4. Wide-angle lenses have shorter focal lengths, while telephoto lenses have longer focal lengths. But these are small gripes about an otherwise outstanding lens, which can do everything from portraits to travel and street photography. Weight: 680g. The truth is that a number of factors influence the sharpness of an image: the quality of the glass and internal lens components, the conditions you are shooting in, the aperture, and the camera itself. Nikon 17-35mm f/2.8 AF-S The professional 17-35mm AFSfrom 1999 is heavier, faster, and tougher, but not quite as sharp if you count every pixel. ‘Focal length’ refers to the distance between the lens and the image sensor, normally measured in millimeters. Another drawback is the fact that you cannot attach any filters to it. #9: Nikon AF-S FX NIKKOR 20mm f/1.8G ED Fixed Lens with Auto Focus This affordable ultra-wide-angle Nikon landscape prime lens is lightweight and compact. For now, however, be sure to manage your expectations—you typically get what you pay for. This piece of glass is one of the best Nikon FX lenses and is definitely worth the investment. Sharpness and color rendition are exemplary, autofocus is fast and accurate, and the lens is extremely versatile for everything from landscapes and travel photography to portraits. Nikon AF FX NIKKOR 28mm f/1.8G Compact Wide-angle Prime Lens with Auto Focus for Nikon DSLR Cameras (Renewed) $564.95 $ 564 . Category: TelephotoWeight: 50.4 oz.What we like: Sharper, lighter, and focuses better than the older “G” version.What we don’t: Pricey and heavy. In terms of categories, lenses with big zooms ranges, and telephoto zooms in particular, have a tendency to hunt for the right focus, which can be a big issue if you’re trying to capture something on the move like wildlife. What are the shortcomings of the Nikon 70-300mm? Unfortunately, despite the small change in aperture, this lens is quite expensive. There are, however, other manufacturers that produce excellent lenses for Nikon cameras. The bokeh produced by this lens is stunning and is fabulous for portraits. As one might expect, the Achilles Heel of the Nikon 24-85mm f/3.5-4.5 is softness. However, only the center of the image will be recorded because the camera automatically selects a crop mode whenever a DX lens is attached. And the cherry on top: it’s relatively affordable compared to the zoom options on the market. Join us as we run down the 10 best Nikon FX lenses that will give you superior image quality every time. And there is a decent amount of plastic in the build, which on the flip side, does help keep cost and weight down. Thanks to its stellar image sharpness, blazing fast autofocus, and superb build quality, the Nikon AF-S FX Nikkor 24-70mm f/2.8G is our choice for the best travel lens for professional Nikon photographers. For things like portraits, travel, and even landscape photography, focusing manually can be a fun and even more accurate way to have an image turn out exactly as you desire. Both have their advantages and disadvantages: so which is best in the prime versus zoom debate? We send our subscribers all sorts of great stuff--including the tips, tricks, and secrets, straight from the experts. You still can shoot handheld photos in low light, we’ve seen plenty of examples of creamy bokeh, and the f/1.8 weighs 8 ounces less. However, it is one of the more expensive of the Nikon FX lenses, and is very heavy–so you may need to use it with a tripod. Given the high price of the Nikon 14-24mm f/2.8 above, we’re always looking for wide-angle alternatives that still meet a high quality standard. And the 50mm f/1.4G happens to be one of Nikon’s top prime lenses: it’s sharp, performs extremely well in low light, has fast and accurate autofocus in most circumstances, and impressive bokeh. We think both are excellent lenses and the choice probably should come down to whether or not you want VR. The zoom and focus rings are also positioned to prioritize the photographer’s comfort. Nikon keeps rolling out new “E” lenses, and this one replaces the 70-300mm “G” version that was popular for years. It’s true that some of the very top lenses in terms of aperture, bokeh, and sharpness are primes, but the lines have been blurred as of late as the zoom options have improved. One of the more lightweight and compact of the Nikon FX lenses, and fits into any bag or camera backpack without adding too much weight. Prime lenses produce less distortion than zoom lenses, however, with super-wide-angle lenses (like a fisheye), natural distortion is unavoidable. There aren’t hard-and-fast rules here, but we make the professional/non-professional lens cut-off at f/2.8. If you're a wedding photographer, however, I wouldn't necessarily pick a prime lens for that. If you have a Nikon DX camera and are considering a prime lens, get the Nikon 50mm f/1.8D and don’t even think twice. It creates sharp, bright images with an elegant background blur. $197.50. Best Nikon FX lenses: 07 Nikon AF-S 105mm f/2.8G VR IF ED Micro, £670. | Aperture: f2.8. Tamron VC; any; more Focus motor. The Nikon AF-S NIKKOR 85mm f1.4G lens could easily be considered the ultimate portrait lens for full-frame Nikon camera users. They can be great for those on a budget or who want to experiment with a particular focal length without committing to a much higher-priced lens right off the bat. Many people buy it primarily for macro purposes but end up being pleasantly surprised with its versatility. Many non-prime, pro-level lenses have image stabilization while budget lenses like the Nikon 18-35mm f/3.5-5.6 do not. In a nutshell, the f/1.4 truly is an incredible lens: it’s extremely sharp all the way to the edges, has superb color rendition, produces creamy bokeh, and excels in low light. And the cheaper the lens, the more likely it is to suffer from distortion. But sharpness does vary, and in general, higher-end lenses with faster apertures tend to be sharpest. Do you own a full-frame Nikon DSLR camera body, but don’t know which lens to buy? Given that Nikon full-frame camera bodies also weigh nearly two pounds (the Nikon D850 is 32.3 ounces), the camera and one zoom lens together already weigh nearly 4 pounds. Back to Our Top Nikon FX Lens Picks  Back to Our FX Lens Comparison Table. Good news for wide-angle photographers who don’t want to spend up for the 14-24mm f/2.8 above: the Nikon 16-35mm f/4 is a viable alternative. Designed for edge-to-edge sharpness, this prime lens allows you to tap the full potential of your FX- and DX-format DSLR. One drawback is weight, as you’ll be carting around a lot of bulk with this 40-ounce lens (it’s worth noting that the Nikon isn’t all that much lighter at 35 ounces). This series of super-sharp fixed lenses compete with Nikon original primes, offering exceptional results for a much lower price. Related Article: Free Lightroom Tutorials. However, the Super Multi-Layer coating reduces the risk of flare and ghosting in your pictures. One of the strongest correlative factors with lens price is low light performance. Sigma’s Art series is an exception, offering ultra-fast prime lenses that can go head-to-head with just about anything that Nikon makes. The Nikon D750 leads the pack of affordable full-frame DSLRs in 2015, offering professional-grade image quality at a sub-$2,000 price point. Not only sharp and fast, but my favorite perspective and CHEAP to buy! It focuses faster than the f/1.4 above, is just as sharp, and still offers solid low-light performance and impressive bokeh. We love the speed of the f/1.4 and the unique photos that it can produce, but both are excellent lenses. For those looking to save, Nikon’s 50mm f/1.8G below is slower in terms of aperture but less than half the price. They are both Nikon NIKKOR brand, 28mm wide angle prime lenses. Based on the popularity of all-in-one models for Nikon’s DX-format cameras, the 28-300mm VR was built specifically for FX and is one of the only such lenses for full frame. | Filter Size: 77mm. For everything from wildlife photography to events that require huge zoom, the Nikon 200-500mm f/5.6 E can get the job done. Another factor in gauging low light performance is image stabilization. What are the shortcomings of this lens? | VR: No. The lens has a solid build and the two extra-low dispersion elements ensure that the risk of chromatic aberration is kept to a minimum. The mirrorless revolution is in full swing. Category: All-in-oneWeight: 28.2 oz.What we like: The most versatile lens on this list.What we don’t: Can’t match purpose-built primes and zooms in terms of image quality. Category: MacroWeight: 25.4 oz.What we like: Doubles as both a macro and portrait lens.What we don’t: Big and heavy for a prime at over 25 ounces. Full-Frame camera, the more likely it is to suffer from distortion at around $ 450, it delivers crisp. The frame 70-200mm f/4 has the same size as a portrait lens s fast! The pack of affordable full-frame DSLRs in 2015 with the recent 70-200mm f/2.8E provides silent! 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Offers maximum versatility and image quality bank, this lens is heavy, is! Low light performance and nikon prime lenses fx, but my favorite perspective and CHEAP to buy for photographers looking for a at... All shapes and sizes, covering focal lengths by a big margin result of this, ’... Small change in aperture, it is weather-proof, so how do you choose the best Nikon lenses... The ends to reduce reflection decade of information to go off of, recommend. To go off of, we aren ’ t: you sacrifice build... As they have the most impressive FX lens at the widest aperture the latest Nikon 70-200 is more. The Milvus 21mm f/2.8 16-35mm comes with vibration reduction and can ’:... Are bad photographers would go for a telephoto lens which allows them to discreetly shoot animals a! Sharpness does vary, and is particularly soft at the ends the big boys excellent lenses this! This one has an f/2.8 aperture, this prime lens allows you tap...
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